Robert Voisey (b. 1969) is a composer and impresario of electroacoustic and chamber music. His aesthetic oscillates from the Ambient to the Romantic. Voisey embraces a variety of media for his compositions, and pioneers new venues to disseminate his music and reach audiences. His works have been performed in concert venues and radio broadcasts around the world.

In 2008, Robert Voisey has had performances of his mobile work "Constellations" performed at Free Play 10: Listening Chamber at Grand Valley State University in Allendale, Michigan. “Constellations” as well as is works, “hunger” and “Tainted Tree” have received performances in The Composer's Voice Concert series in New York City. “Tainted Tree” was also performed at Fine and Dandy in the East Village.

His work “Tempest” was performed at the 18th Biannual International Eletroacoustic Festival at Brooklyn College and is soon to be released on an album with the same title by Pogus Records.

A collaborative work, "deeper shades of forte", with the poet Anne Cammon received its debut at Fine and Dandy. "India Songs" another collaborative work with Anne Cammon has been performed at the Bowery Club's "Futurus Lux" annual poetry festival as well as in the variety show Fine and Dandy. This work has also been released on a CD by LOGOchrysalis Productions and is available on CDbaby. "India Songs"

A video version of his work, "hunger", has been receiving regular performances on XMV at Collective: Unconscious in Tribeca, New York.

Robert Voisey is also a member of chromatik_d_zabu.tmp, a collaborative electroacoustic ensemble that produces music completely online. During the past year, he has collaborated on more than 15 compositions, which are available for download over the Internet at the ~CDZ website.

As a presenter and producer of new music, Robert Voisey is the Artistic Director of the 60x60 project, Co-Director of the Composer’s Voice Concert series, Vice President of Programs for the Living Music Foundation, and Founder of Vox Novus. Producing and presenting over 100 concerts in more than 10 countries around the world, he seeks innovative and creative approaches to promote the music of today's composers.

He has been invited to speak about his own music, the 60x60 project, and the promotion of new music at the University of Missouri-Kansas City,the University of Central Florida, and Duquesne University. He has also presented and introduced the 60x60 project to audiences all over the world including the University of Central Florida (Orlando, Florida), Electronic Music Midwest festival (Kansas City, Kansas and Romeoville, Illinois), Adelphi University (Long Island, New York), A*DEvantgarde festival (Munich, Germany), the Amadeus center (London, England), Oberlin Conservatory of Music (Oberlin, Ohio), William Paterson University (Wayne, New Jersey), CalArts (Valencia, California), Harbor College (Los Angeles, California), International Electroacoustic Festival (Brooklyn, New York), and Collective: Unconscious (New York).

Robert Voisey received his undergraduate degree from S.U.N.Y. Stony Brook where he studied Computer Science Engineering, Mathematics, Studio Art and Music Performance. He earned a certificate of Composition at Tel Hai College in the Upper Galilee of Israel, where he studied with Oded Zehavi and Aiten Schteinberg. He also studied at C.U.N.Y. Brooklyn College where he studied with Noah Creshevsky and George Brunner.

After receiving his B.A. from Stony Brook University (SUNY), where he studied Computer Science Engineering, Mathematics, Studio Art and Music Performance, Voisey started his composition career in the Upper Galilee of Israel, at the College of Tel Hai. There he studied composition with Oded Zehavi and Aiten Schteinberg and composed his first chamber compositions such as taint for solo flute, "… a work of great presence… is a fascinating study of modulating note values, pitches, stop clicks and beautifully integrated melodic lines." - John de Clef Pineiro, New Music Connoisseur (March 2003 Vol.11 No.1); and "his post-romantic, Tears of Dew for cello and piano, [where] New Yorker Robert Voisey drew inspiration from Middle Eastern modes." - Michael Huebner, the Birmingham News, Birmingham, Alabama (August 2003)

He returned to the United States to Brooklyn College (CUNY) where he studied composition with Noah Creshevsky. "Voisey has developed an original and versatile system of interlocking, modulating modes that blend elements of eastern and western musical processes. The resulting compositions reflect a wonderful merging of spontaneous energy and disciplined technique." - Noah Creshevsky, former director of the Center for Computer Music and Professor Emeritus at Brooklyn College (CUNY).