Simon Arnott is a young British composer currently at the University of Bristol studying for a BA in Music, focussing on composition and performance (euphonium). Simon is also a talented arranger and has arranged for such groups as The Great Western Chorus, 8 times UK barbershop chorus champions. www.simonarnott.biz
Written on a journey, this work is a multi-personality showcase for the French horn; it shows the capabilities of the instrument's style and range. The 'jazzy' elements are memories of many good times had with my school big band, and the not so common big band instruments that we had!
Graham Ashton trained at the Royal Academy of Music, London. He is Chair of Brass at SUNY Purchase. Compositions include music for film, theatre and the concert platform. Recent commissions include Australian Embassy (Washington DC), Signum Records, SUNY Fredonia, US Army (Westpoint Academy), Sony Records, ABC (Australia), Editions, BIM (Switzerland).
60 seconds of shameless virtuosity demonstrating the extraordinary skill of the performer, together with the quirky imagination of the composer. Just in Time is designed to confuse the audience with constant changes in meter - although there is a sensible logic to these changes which will become apparent to the performer.
Joshua Barlage holds a Bachelor of Music degree from Capital University’s Conservatory of Music in Columbus, Ohio. Mr. Barlage’s compositional studies were under the tutelage of Dr. Rocky J. Reuter and Dr. Mark Lochstampfor. Mr. Barlage has held assistant conducting positions with the Columbus Symphony Youth Orchestra and Opera Columbus.
Dial “P” for Peter was written as an improvisatory horn call for hornist Peter Reit. The piece, in its entirety, should be performed with an emphasis towards individuality in the various sections. Rests are positioned only for purpose of breaths for the soloist and can be clipped short if needed.
Dagmar Feyen (http://www.dagmarfeyen.com) holds Masters Degrees in piano performance and composition, and currently performs and teaches piano and music theory in Belgium. He has received various international awards for his music, which is performed all over the world. As an active performer, he plays both classical recitals and jazz gigs.
Soliloquy for French horn is a freely composed piece build on an altered pentatonic scale with tonal centre E (the most frequent letter in the name Peter Reit). There are no extended techniques used, and the piece is meant to be played in an improvisatorial manner.
Born in Aguana, Guam, Marc Hoffeditz is a young and upcoming composer who will be attending the Boston Conservatory in the Fall of 2012. Recent performances include Ira for wind ensemble at the 2012 Region III SCI Conference. Marc's teachers include Christopher Cook, Lawrence Dillon, and Larry Alan Smith.
La Sirène de la mort (Siren of Death) is a piece for solo horn. In doing research on Reit, I found that he was a charter musician for Phantom of the Opera. I wanted to draw from some of the show's musical themes to create a familiar, yet eerie song.
Born in Koblenz/Germany in 1966, multi-instrumentalist Markus Kräber is since 1993 based near Limerick/Ireland, where he works as educator, luthier and part-time composer. His works are influenced by his love of Jazz, Klezmer and traditional Celtic music amongst others.
“Playing with Fire” is a musical short story about temptation, desire and inner conflict, told through alternating parts of tango and swing. It all starts as an innocent dance, but very soon turns into something that easily could get out of control and lead to disaster.
Eric L. McIntyre is a composer, conductor, and hornist based in Grinnell, Iowa. He currently serves on the faculty of Grinnell College where he teaches composition and conducts the Grinnell Symphony. In addition to his work as a musician, he is a part-time farmer who raises turkeys and dairy goats.
Mouse Minus One is a follow-up to an earlier composition for horn and narrator on texts by Lewis Carroll. While its precursor involved a conversation between a mouse and a dog, this short virtuoso piece for horn leaves our mouse to scurry around alone with only memories of his tormentor.
Michelle McQuade Dewhirst is Assistant Professor of Music at UW-Green Bay, where she teaches music theory, history, composition and horn. Michelle is a founding member of the miniaturist ensemble a very small consortium (www.very-small.org) and performed her own 15 Minutes of Fame for solo horn in March of 2012.
"burn and rave" derives its title from a classic Dylan Thomas poem: "Do not go gentle into that good night, / Old age should burn and rave at close of day." The piece juxtaposes short, angular outbursts with gentler introspective murmurs. The result is by turns defiant, peaceful, frantic and resigned.
Michael Mikulka has written well over 100 pieces in various styles and instrumentations and has won contests and stuff like that. He is currently pursuing his DMA in Composition at the University of Texas. If you would like to hear some of his longer works, please visit http://www.michaelmikulka.com/
“Are They Ill-Tempered?” experiments with hand positions and alternate fingerings, and exhibits the differences in pitch and timbre they create. It consists of an aggressively over-the-top fanfare which abruptly falls into an introspective coda.
Ken Paoli is currently a professor of music at College of DuPage in Glen Ellyn, IL. He was a faculty member at DePaul University and Western Illinois University. Ken is active as an arranger and keyboardist and maintains a busy schedule of performance in the Chicago area.
Monologue for Horn makes use of three motives to form a recitative-like monologue. Some motives are varied as a reflection of changing thought but retain their character. Other motives stay as constant as a thought that can’t be relegated to the back of your mind.
For more than 30 years Alyssa has worked as an independent performer, composer and arranger. She completed her Bachelors and Master's degrees at the Juilliard School as a student of the late Marcel Grandjany. As a harpist she has performed with institutions ranging from the world renowned vocal quartet Anonymous 4, the Pittsburgh Symphony, and the Metropolitan Opera, to contemporary music groups and traditional Irish bands; she has played in such well known, diverse venues as Carnegie Hall, Merkin Hall, Tully Hall, BAM, the Public Theater, and the Kitchen.
Nate Reit is a New York-based trombonist and composer. With a BM in jazz performance from Eastman School of Music, he is also a uniquely versatile musician with a wide range of musical experience and interest. He enjoys expressing life, thoughts, and ideas through composition and improvisation.
“Bridging Dreamspace” is a collection of short, structured improvisations interspersed between pauses and sustained multiphonics. The piece is a musical reflection of the transition from dreaming in a half-awake state, permeated by sounds from the waking world, to a full (and often rudely abrupt) awakening.
Piotr Skweres studied composition and cello in Vienna. His workes has been performed around the world (Royal Albert Hall/London, Vienna Musikverein, Beacon Theatre NY, Hercules Hall/Munich, Guangzhou Concert Hall), broadcasted by many broadcating stations, published by the Doblinger. As a chamber musician he recorded for Deutsche Grammophon, NEOS...
“Duality” consists of short musical structures and their modifications. These motives stand in changeable relations to each other and give performers the possibility to demonstrate a multitude of emotions with the use of typical horn techniques. The title refers to the application of tritones and half steps as main intervals.
Tomasz Skweres is a Polish composer and cellist. His works are regularly played by renowned instrumentalists in famous concert halls during significant music festivals. Tomasz Skweres is solo cellist of the Philharmonic Orchestra Regensburg. He is also a frequent chamber music performer and a recognized interpreter on the contemporary music scene.
Double-headed presents a phenomenon, the character of which hesitates. Appearing at first as minimal music elements it tends to develop dramatic courses that – because of their extreme time density – enable to achieve a very strong expression. That way the piece gives a performer an opportunity to use true virtuosity.
Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Nine CDs of different performers include at least one piece of him.
The title refers to a line by Paul Celan: "Speak - But keep yes and no unsplit", meaning that opposites are no that far away from each other, and that conceiving a black-and-white world based on clear-cut truths doesn't help us to understand life.
The Composer’s Voice Concert Series is an opportunity for contemporary composers to express their musical aesthetic and personal “voice” created in their compositions.
Vox Novus collaborating with the Remarkable Theater Brigade and Jan Hus Church to produce a monthly concert series promoting the chamber works of contemporary composers.
Vox Novus produces and promotes new music. They are dedicated to contemporary music, the musicians who perform, and the composers that write the music of today. Their mission is to cultivate a music community and make their work available to the greater public.
Remarkable Theater Brigade founded by Christian McLeer, Dan Jeselsohn and Monica Harte, creates and produces new operas and musicals and takes children’s versions out to special-needs and at-risk children free of charge.
JAN HUS CHURCH - This is the place you were welcome, long before you arrived!
Pastor Ray Bagnuolo
Donations of food and clothing are greatly appreciated for the Homeless Outreach Advocacy Program (HOAP)